During the past couple of years, I’ve looked to the past to try and make the present happier. Getting back in touch with the things that once brought me joy could bring joy once again. Maybe that’s a form of regression. Maybe it’s a futile attempt to reminisce about simpler, more care-free times.
— If you missed the last Overzealous Recycling, you can read it here —
This has been on my mind for quite a while, but Meghan Daum’s recent essay on Medium got me thinking about it more. At 47, two years after her marriage ended, Daum is living much like she did as a 27-year-old. Is that always who she was, deep down, even when she tried to follow the path — career, marriage, etc. — to which we all aspire?
Maybe Rust Cohle was right. Time is a flat circle.
Could A Star is Born possibly be better than its trailer? That’s a joke (or cynical opinion) often reserved for superhero blockbusters like Iron Man, Man of Steel and Suicide Squad.
The preview released in June got seemingly everyone excited for this movie and probably brought some relief to those who thought a remake of the 1976 Barbra Streisand-Kris Kristofferson film was a terrible idea that could possibly destroy Bradley Cooper’s career (at least as a director).
No one’s laughing or wincing now.
Not only does Cooper give the best acting performance of his career, but he also impresses as a director. He lets scenes play out and trusts his actors, rather than resorting to quick cuts and editing to create a false sense of story movement. It’s not difficult to imagine that he’s providing the direction himself that he would’ve preferred other filmmakers gave him and his co-stars.
There might be a few scenes that go a bit long, especially in the movie’s less compelling second half. But when so many films now feel like they were sliced up and patched together in the editing bay, a movie that takes time with its characters and lets the actors shine feels refreshing.