Watched ‘em, read ‘em: August 2025

If this is your first time reading one of these posts on the blog, they’re inspired by Steven Soderbergh’s annual “Seen/Read” list. At the beginning of every year, Soderbergh posts his chronicle of all the media he consumed during the prior year.

I wanted to do something similar, but felt that keeping track each month would keep me more engaged as a writer and make it an easier read. Since I spend so much time listening to podcasts, I’ve been wondering if I should include them here. That applies to sports too. Like if I spend six hours on a Saturday or Sunday watching football, well, that’s “watching,” right?

My intention was for August to be all about the “Alien” movies with Alien: Earth premiering on FX. I didn’t follow through on the ambition to watch all of the previous films before the series began. Also, I pumped the brakes when I found out that the story took place before Ridley Scott’s 1979 original.

But I’m a big fan of Noah Hawley’s work on Fargo and Legion, and I have all six of his novels (though I’ve only read A Conspiracy of Tall Men). So between that and my love of the “Alien” movies, I was an easy mark.

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Watched ‘em, read ‘em: July 2025

If this is your first time seeing one of these posts on the blog, they’re inspired by Steven Soderbergh’s annual “Seen/Read” list. At the beginning of every year, Soderbergh posts his chronicle of all the media he consumed during the prior year.

I feel like I can look back at a month and tell you what was going on — or not happening — that affected how much media I consumed. In June, for example, I was spending most of my non-working hours helping my mother around the house after she fell. So I was too worn out to watch or read much.

So as you’ll see, July was influenced by Superman debuting in theaters. Reviewing it jump-started me writing more on this blog again. But I also wanted to prepare for the movie by reading Superman books and films. That will continue in August. Summer of Superman!

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‘The Fantastic Four: First Steps’ feels fresh, but takes too big a first step toward the MCU

The Fantastic Four: First Steps appears to be the film that the Marvel Cinematic Universe needs right now. It doesn’t depend on other movies to establish its world and story. Watching the dozens of other MCU films and TV shows isn’t required to follow what happens.

So it effectively serves as a necessary reset for a superhero movie universe that has felt tired and unfulfilling over the past few years. Especially when the guy with the red cape flying over Metropolis just brought a jolt of freshness to movie theaters and pop culture.

Yet The Fantastic Four feels new and exciting as well because it’s not set in the very same MCU as the familiar one occupied by the Avengers. The best decision made by Marvel and director Matt Shakman is putting these characters in a retro-future 1960s that looks unlike anything seen in an MCU film before.

There’s no cynicism here. It’s a culture full of wonder, which has also built trust between the world and these superhuman heroes who protect it. Reed Richards, Susan Storm, Ben Grimm and Johnny Storm are media sensations, rock stars and monoculture icons, which wouldn’t happen in a modern setting. The movie probably could have had more fun with that. But Shakman has cut a tight film and the story has to move along — which is also part of the problem.

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‘Superman’ restores a classic hero with an exciting new setting created by director James Gunn

James Gunn gets Superman. That’s easily the best aspect of his Superman movie. The writer-director knows the Man of Steel isn’t cool.

Superman is a dork. “The Big, Blue Boy Scout” is a nickname that’s been attached to him for years in DC Comics mythology and among comic book fans. Maybe it’s largely derisive, but it also explains what Superman is all about. He sees the good in people. He will do the right thing, even if he doesn’t always think through all of the ramifications of those actions.

What Gunn’s Superman gets right is that it doesn’t try to modernize the character for current audiences. The movie embraces what makes Superman distinct, what makes him the first superhero — maybe the only superhero — that comes to mind for many when imagining the concept.

Superman is a hero because he helps people when he could so easily hurt them. It’s not that he can catch a falling building, fly to the Arctic in minutes, or shoot lasers out of his eyes. He’s supposed to be decent and kind. To portray him otherwise is an attempt to make him cool instead of goofy.

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‘Batman: Caped Crusader’ bringing back an animated Batman, which we must always have

Benjamin Franklin said only two things in life were certain: Death and taxes. I think he could’ve added that there will always be a Batman cartoon on the air, though Franklin died 149 years before The Dark Knight debuted in Detective Comics No. 27.

My contention that there’s always a Batman cartoon on the air doesn’t quite hold up either. The last one was Beware the Batman, a computer-animated series which Cartoon Network pulled off its schedule in 2013. (The series, including seven episodes that were burned off on Adult Swim’s Toonami, can now be seen on HBO Max. I’m catching up on that someday.)

But with a new Batman movie set to be released in 2022, WarnerMedia is launching a new animated series as well. And this one has some star power behind it. According to DC, Batman: Caped Crusader has been ordered for HBO Max and Cartoon Network, going straight to series. No pilot episode and series order necessary.

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