The Marvel Cinematic Universe keeps on rolling. Though one stage of Marvel’s superhero epic reached a conclusion of sorts with Avengers: Endgame, the overarching story continues with Peter Parker in Spider-Man: Far From Home. (Technically, Phase 3 of the MCU ends with this film, according to Marvel Studios president Kevin Feige.)
If there was any question of where Far From Home fits in the MCU timeline, the movie’s new trailer makes that clear. (I speculated on the latest Amusement Park Podcast that it must take place between Spider-Man: Homecoming and Avengers: Infinity War, but was obviously wrong.) So clear, in fact, that Tom Holland issues a spoiler warning before the preview begins. If you haven’t seen Endgame, don’t watch this trailer because it gives away a major development from that film, one you won’t want spoiled.
Tastes may vary when it comes to Bill Simmons and his podcast, but I don’t think he gets enough credit as an interviewer. Even if you don’t like his sports opinions, Simmons shows great taste in who he brings on his show, particularly with writers and directors.
The most recent example of this is his chat with director Steven Soderbergh, who was at the Sundance Film Festival to promote his new movie, High Flying Bird, and was probably the best guy Simmons could’ve talked to about the current state of filmmaking and how that content can find an audience.
But the interview is also an opportunity to talk about Soderbergh’s 30 years of filmmaking — which began with Sex, Lies and Videotape showing at Sundance — and everything he’s learned about the industry during that span. The conversation begins at the 28:45 mark:
The Academy Award nominations are always an exciting morning, but the 2019 Oscars seem to have a bit less juice than in previous years. Maybe because there’s not one clear front-runner that many fans are rallying around? No clear critical darling?
Also, I think there are a lot of movies that people either simply haven’t seen. That’s always the case (and Oscar nominations can change that), but feels like it’s even more so this year. Also, one of the favorites was made for Netflix, an idea people will have to get used to.
Since I typically write something about the Oscars, I figured I’d do a quick overview of the big categories, picking the favorites and noting the snubs. And there were a lot of notable snubs this year.
I’ve seen five of the eight Best Picture nominees, but there are several contenders I need to watch. (That’s one reason why I dragged my ass on putting together a Best of 2018 list.) Those include Green Book, The Favourite, Roma, Shoplifters, Can You Ever Forgive Me and The Wife. (I know!) So my opinions on any of these could change before Feb. 24. If so, maybe we’ll have some predictions.