Sharing my work experience with ‘Media in Minutes’ podcast

I’ve avoided podcast and radio appearances over the past year or so, largely because it’s just difficult to fit them in with a shift-driven work schedule. And honestly, I don’t get asked that much anymore.

However, when Angela Tuell invited me to chat on her Media in Minutes podcast, I couldn’t refuse. She talks to a variety of journalists covering travel, outdoors, finance, food and sports, in addition to people working in the broadcast fields and leadership roles. I’m flattered to be included among that collection of reporters, editors, broadcasters and producers.

I still think of myself as “new” in media, spending so many years grinding in freelance and contract work. (Those jobs didn’t pay well, but no one should expect to make great money in journalism unless you’re on TV.) Yet that struggle has paid off in recent years with jobs at larger platforms like Sports Illustrated and Yahoo Sports. It was fun to recount that 20 (!) year journey

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Reminiscing about magazine dreams

I’ve always loved magazines. The way they look, the way they feel. How they capture a moment and immortalize an image. The content can be fun or serious. Short or long. And many of them have contained some of the best writing — nonfiction and fiction — ever produced.

Magazines set the cultural conversation and influenced taste. Before the internet catered to any and every interest, magazines served that purpsoe. If you have a long layover at an airport, the newsstands and magazine racks are an oasis.

Yes, I dreamed of writing for magazines. Seeing my name in glossy print; my byline on an in-depth feature, celebrity profile or funny opinion piece. Though almost all of my professional writing has been online, I was fortunate enough to start my career with a local magazine, the now-defunct Motor City Sports.

I was reminded of that while listening to The Press Box podcast last week. It’s one of my favorites (listed in the old-school blogroll on my site). The Ringer’s media critic, Bryan Curtis, with co-hosts David Shoemaker and Joel Anderson, recaps developments in the media — and often, how they influence or reflect culture — each week.

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“It’s been informative and humbling”: My interview with Brad Marley about writing and podcasting

I’m a big fan of Brad Marley’s newsletter, which talks about writing and storytelling — notably from a marketing and corporate perspective. How companies tell their story is important in reaching clients and customers, and Brad has talked to a variety of writers about their work.

I suppose my writing fulfills a similar purpose, whether it’s for the outlets I work for or in promoting my own ventures, such as The Podcass and the Casselbloggy, my social media accounts and the LST Media shingle I’ve hung out for those endeavors.

So I was surprised and excited when Brad wanted to interview me for his newsletter and talk about, as he put it, the media niche I’m trying to create for myself. (It’s very niche.)

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Overzealous Recycling 011: Pain or damage don’t end the world

Has it really been 13 years since Deadwood was sadly, heartbreakingly canceled by HBO? What were you doing in 2006? Can you even remember?

— If you missed the last Overzealous Recycling, you can read it here 

Ask me to name my favorite TV shows of all time and Deadwood would be one of the three I list. Yet with each passing year, my memories of the series fade. I could go back any time and watch the show on HBO GO, but haven’t done so. There’s too much other TV to watch now, and I can’t keep with it. Adding an old favorite to the mix would just complicate matters.

But now, Deadwood fans are finally getting the ending we were deprived of 13 years ago. Unfortunately, it won’t be the finale we really wanted. It’s not a full fourth season. It won’t even be the two movies that series creator David Milch and HBO once agreed to. This will be whatever Milch (with the help of True Detective‘s Nic Pizzolatto) could distill into one two-hour movie which takes places years after we last saw Seth Bullock, Al Swearengen, and so many other residents of Deadwood, South Dakota.

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Overzealous Recycling 005: This world would be unlivable without art

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If you missed the last Overzealous Recycling, you can read it here

We usually save something inspirational for the end of these (not a) newsletters. But Steven Soderbergh has been doing quite a bit of press for the release of his new film, High Flying Bird, on Netflix. (I hope to post a review this coming week.) And in one interview, he responded to his 2001 Academy Award acceptance speech being used by Oscar telecast producers as an example for the ideal acknowledgement for winners.

Steven Soderbergh talking to Bill Simmons is a fascinating conversation

If you haven’t seen it, here’s the speech Soderbergh gave upon winning the Academy Award for Best Director. (Traffic was the film that earned him the honor.)

Weekly Affirmation

Succinct and to the point. It’s definitely a good example for other Oscar winners to follow. Here’s the key passage, the one which really spoke to me and so many others:

“I want to thank anyone who spends part of their day creating. I don’t care if it’s a book, a film, a painting, a dance, a piece of theater, a piece of music — anybody who spends part of their day sharing their experience with us. I think this world would be unlivable without art, and I thank you.”

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