This might be one of my more anti-social tendencies, but I enjoy going to the movies by myself. Mark Serrels planted his flag for solo moviegoing, calling it one of “life’s secret pleasures” in a piece for CNET, so I figured I’d share my feelings on the topic too.
Most people I know — and I presume most people you know — have a big hang-up about it, like going alone says something about you socially. Or maybe they just don’t like being by themselves in that kind of environment.
I totally understand. That was something I needed to get over too. And I feel the same way on a Friday or Saturday night, when it’s all couples at the theater. It feels awkward, especially if I’m unfortunate enough to be seated between two couples or groups. Most of my solo moviegoing is done during the day, and I imagine that’s the case for the majority of people who see a movie alone.
During the past couple of years, I’ve looked to the past to try and make the present happier. Getting back in touch with the things that once brought me joy could bring joy once again. Maybe that’s a form of regression. Maybe it’s a futile attempt to reminisce about simpler, more care-free times.
This has been on my mind for quite a while, but Meghan Daum’s recent essay on Medium got me thinking about it more. At 47, two years after her marriage ended, Daum is living much like she did as a 27-year-old. Is that always who she was, deep down, even when she tried to follow the path — career, marriage, etc. — to which we all aspire?
Maybe Rust Cohle was right. Time is a flat circle.
We usually save something inspirational for the end of these (not a) newsletters. But Steven Soderbergh has been doing quite a bit of press for the release of his new film, High Flying Bird, on Netflix. (I hope to post a review this coming week.) And in one interview, he responded to his 2001 Academy Award acceptance speech being used by Oscar telecast producers as an example for the ideal acknowledgement for winners.
If you haven’t seen it, here’s the speech Soderbergh gave upon winning the Academy Award for Best Director. (Traffic was the film that earned him the honor.)
Succinct and to the point. It’s definitely a good example for other Oscar winners to follow. Here’s the key passage, the one which really spoke to me and so many others:
“I want to thank anyone who spends part of their day creating. I don’t care if it’s a book, a film, a painting, a dance, a piece of theater, a piece of music — anybody who spends part of their day sharing their experience with us. I think this world would be unlivable without art, and I thank you.”
Tastes may vary when it comes to Bill Simmons and his podcast, but I don’t think he gets enough credit as an interviewer. Even if you don’t like his sports opinions, Simmons shows great taste in who he brings on his show, particularly with writers and directors.
The most recent example of this is his chat with director Steven Soderbergh, who was at the Sundance Film Festival to promote his new movie, High Flying Bird, and was probably the best guy Simmons could’ve talked to about the current state of filmmaking and how that content can find an audience.
But the interview is also an opportunity to talk about Soderbergh’s 30 years of filmmaking — which began with Sex, Lies and Videotape showing at Sundance — and everything he’s learned about the industry during that span. The conversation begins at the 28:45 mark: