‘The Mandalorian and Grogu’ is too stationary, failing to justify its existence as a movie

Saying a movie spun out of a TV series should have stayed a TV series feels like an easy, sometimes even lazy, criticism. I thought that might apply to The Mandalorian and Grogu. Yet it’s probably a fair gripe.

The Mandalorian and Grogu doesn’t utilize what made the series special, probably because it’s limited to a two-hour running time rather than eight episodes of TV. It’s also limited by not being allowed to step outside the show’s boundaries into the larger Star Wars mythology. So yes, rather than being made into a movie, this should have been Season 4 of the series. (And hopefully, with more episodes, it would have been better.)

What made The Mandalorian series so enjoyable as a Star Wars fan is that it expanded the universe that we followed in the movies. It made the mythology feel bigger against the backdrop of the war between the Rebellion and the Empire, building on the concepts of the Jedi and the Force. It also added more to ideas that were intriguing yet not crucial to the overall story — characters such as Boba Fett, his origins, and the society in which he existed.

Yet the world of The Mandalorian could only go so far. It runs into a ceiling. We don’t see the main character, Din Djarin, in the newer Star Wars trilogy. (The series is supposed to take place between Return of the Jedi and The Force Awakens, which allows for a whole bunch of storytelling possibilities.) Grogu, the adorable “Baby Yoda,” was not a part of the most recent films either.

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‘The Fantastic Four: First Steps’ feels fresh, but takes too big a first step toward the MCU

The Fantastic Four: First Steps appears to be the film that the Marvel Cinematic Universe needs right now. It doesn’t depend on other movies to establish its world and story. Watching the dozens of other MCU films and TV shows isn’t required to follow what happens.

So it effectively serves as a necessary reset for a superhero movie universe that has felt tired and unfulfilling over the past few years. Especially when the guy with the red cape flying over Metropolis just brought a jolt of freshness to movie theaters and pop culture.

Yet The Fantastic Four feels new and exciting as well because it’s not set in the very same MCU as the familiar one occupied by the Avengers. The best decision made by Marvel and director Matt Shakman is putting these characters in a retro-future 1960s that looks unlike anything seen in an MCU film before.

There’s no cynicism here. It’s a culture full of wonder, which has also built trust between the world and these superhuman heroes who protect it. Reed Richards, Susan Storm, Ben Grimm and Johnny Storm are media sensations, rock stars and monoculture icons, which wouldn’t happen in a modern setting. The movie probably could have had more fun with that. But Shakman has cut a tight film and the story has to move along — which is also part of the problem.

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