‘Jungleland’ review at Mountain Xpress

I’m not certain Jungleland is a sports movie, though it does take place in the world of underground bare-knuckle boxing. The story ultimately depends on the outcome of a sporting event, however. So it probably fits into that category.

Regardless, you might not guess that this was directed by Max Winkler, who’s mostly known for comedy work on TV shows like Brooklyn Nine-Nine, New Girl, and Crazy Ex-Girlfriend.

I reviewed the movie for Asheville’s Mountain Xpress:

Jungleland follows brothers Stan (Charlie Hunnam, FX‘s “Sons of Anarchy”) and Walter “Lion” Kaminski (Jack O’Connell, Unbroken) as they pursue success in the underground world of bare-knuckle boxing. Lion was a promising Golden Gloves fighter, but any hopes of a professional career were ruined when Stan tried to bribe a referee.

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Guy Ritchie’s ‘King Arthur’ offers new take on old mythology, but won’t kickstart franchise

Note: This was originally published at The Comeback in May 2017.

Criticizing King Arthur: Legend of the Sword for being too much of a Guy Ritchie film might seem silly. You generally know what you’re getting with Ritchie as director.

He has a distinct style, utilizing speed ramping, slow motion and fast-cutting to keep the pace moving even when some scenes call for a bit more focus on detail. His characters are fast-talkers, bantering with colleagues and adversaries while often relying on wit to gain an upper hand. And music is a big factor in providing momentum, a hard-charging beat that adds to what’s shown on screen, underlining the action.

Check off all of those boxes for Legend of the Sword (which no one will call this film). This is very much a Guy Ritchie King Arthur movie. Imagine Lock, Stock and Two Smoking Barrels or Snatch taking place in medieval times, with some sword and sorcery mixed in (along with pinches of other influences like Game of Thrones300 and Man of Steel), and that’s what we have here.

It’s a reimagining of a legendary mythological figure akin to what Ritchie did with Sherlock Holmes, tearing down an old, familiar archetype that had become stuffy and reinventing it with an energy and mindset aimed at appealing to new audiences. That will work for some viewers who either aren’t all that familiar with the Arthurian mythos or are eager to see a new take on the story. But it will turn off plenty of others who already have an idea of what a King Arthur story should be and aren’t interested in any radical reinventions.

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