‘Black Panther: Wakanda Forever’ successfully pays tribute, moves mythology forward

Director Ryan Coogler had a thin line to walk for his sequel to Black Panther.

Following up 2018’s mega-hit that was unlike any Marvel superhero we’d seen before, reaching out to audiences and cultures that previously felt underserved by blockbuster entertainment, would have been difficult enough. Coogler had an opportunity to direct a sequel to 2015’s Creed, but passed on it to jump into the Marvel sandbox and bring comic books’ first Black superhero to the big screen.

Topping himself and continuing the story of Wakanda’s King T’Challa was going to be much more difficult — logistically and emotionally — after the death of star Chadwick Boseman two years ago. How could Marvel and Coogler, along with the amazing cast and crew that brought the fictional African nation to vivid life, keep the story going without the Black Panther himself?

Out of respect to Boseman, Marvel decided that T’Challa wouldn’t be recast. That was probably the correct decision, especially so soon after the actor’s death. Asking fans — and those who worked with Boseman — to accept a new face in the role would have been difficult. (Though during the past two years, sentiment — online, anyway — has turned toward recasting and advancing a character that was so iconic, so important to audiences.)

So Coogler and writer Joe Robert Cole (who collaborated on the first film’s screenplay) embraced the real world’s intrusion on Marvel mythology and acknowledged Boseman’s death in the story by giving T’Challa much the same traffic fate. As a result, Wakanda Forever serves as a tribute to the actor, allowing fans and colleagues to mourn and perhaps find closure with the loss.

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Overzealous Recycling 010: Scattered, smothered and covered

Thanks to Pat Ryan and WISE Sports Radio (the Asheville station where I do baseball and movie segments each week), I got to attend the Southern Conference tournament final between Wofford and UNC Greensboro. Asheville has hosted the tournament for the past eight years and it seems to be more popular each year. It’s not just a fringe sporting event; it’s something the town takes pride in.

— If you missed the last Overzealous Recycling, you can read it here 

Maybe the surge of interest in mid-major college basketball has something to do with that. But like other small towns and cities, Asheville wants to feel like it matters and an event like the SoCon tourney, which gets broadcast on ESPN, contributes to that.

I don’t go to many live sporting events anymore, other than a baseball game or two over the summer. Being at the SoCon final reminded me of how much fun a big game can be. And sitting in the media section reminded me of how much I’ve wanted to make my living there. Maybe this was kind of a nudge to pursue and enjoy those things a bit more than I have in recent years.

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Amusement Park Podcast 023: The Punisher, the Oscars, and Glass Misses the Mark

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On the latest Amusement Park Podcast, we respond to the first half (six episodes) of The Punisher and the Oscar nominations, which include a Best Picture nod for Black Panther and Spider-Man: Into the Spider-Verse being nominated for Best Animated Film. (How many Oscar nominees do you get a chance to see where you live?)

We also dig into what Netflix joining the MPAA means, briefly review Glass, and share what we’re enjoying this week.

https://soundcloud.com/casselberry/the-punisher-the-oscars-and-glass-misses-the-mark

— Show notes for Ep. 23 are available at The Amusement Park Podcast website — 

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2019 Oscar nominations: Who was snubbed? Who are the favorites?

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The Academy Award nominations are always an exciting morning, but the 2019 Oscars seem to have a bit less juice than in previous years. Maybe because there’s not one clear front-runner that many fans are rallying around? No clear critical darling?

Also, I think there are a lot of movies that people either simply haven’t seen. That’s always the case (and Oscar nominations can change that), but feels like it’s even more so this year. Also, one of the favorites was made for Netflix, an idea people will have to get used to.

Since I typically write something about the Oscars, I figured I’d do a quick overview of the big categories, picking the favorites and noting the snubs. And there were a lot of notable snubs this year.

I’ve seen five of the eight Best Picture nominees, but there are several contenders I need to watch. (That’s one reason why I dragged my ass on putting together a Best of 2018 list.) Those include Green Book, The Favourite, Roma, ShopliftersCan You Ever Forgive Me and The Wife. (I know!) So my opinions on any of these could change before Feb. 24. If so, maybe we’ll have some predictions.

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Not a Newsletter: 03/18/18

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We’re late with Not a Newsletter once again, after showing promise last week with an early posting. But after talking with friends and family, it was determined that one of the remedies for that which is currently driving me crazy is to try and unplug as much as possible on weekends.

As I’m sure is the case for many of you, that’s not easy for me. Work and leisure inhabit much of the same space. If I’m reading something, it’s probably online. (I really am trying to pick up books and magazines…) If I’m watching something, it might also be online, especially if it’s streaming.

Thus, a message from work or a topic that could make a story is only an alert or click away.  Then I look at the clock and I’ve wasted most of a Saturday or Sunday sitting at a computer. It’s not making me pleasant. Unpleasant may be my default setting, but there are degrees of unpleasantness. Unfortunately for those around me, I’ve been on the “very unpleasant” side of that spectrum.

So maybe this would have been posted earlier otherwise. But maybe — probably not, but maybe — I was also a more pleasant human being on Sunday.

This was watched

Since I’m online most of the day, constantly looking for story topics while editing and writing, most entertainment before 4 p.m. ET has to come in quick hits. Twitter and Facebook provide plenty of that, naturally, but YouTube has also become a reliable source for chuckles.

As a result, I’ve become a fan of WIRED’s “Answers the Web’s Most Searched Questions” series, in which celebrities answer the questions that people ask about them on Google. (Another favorite is Vanity Fair’s “Fear Box” series, in which celebrities reach into a box and try to figure out what they’re touching. Yep, I love celebrities.)

The cast of This is Us is adorable, and thus this episode of the WIRED series is adorable.

Words were read

Donald Glover is Lando Calrissian in SOLO: A STAR WARS STORY.

** This is probably going to be the year of Donald Glover. He’s going to play young Lando Calrissian in Solo: A Star Wars Story. There will probably be new music to come, though not from Childish Gambino. And Season 2 of Atlanta is playing now on FX, which is what most of this article — which took me longer to read than I’d like to admit — is about. [New Yorker]

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