‘Bohemian Rhapsody’ reminds us Queen was great, ignores too much about Freddie Mercury

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If you’re a fan of Queen and Freddie Mercury, you will very likely enjoy Bohemian Rhapsody. The movie is a celebration of the band and its music. You’ll be reminded of just how much you loved songs like “Fat-Bottomed Girls,” “Bohemian Rhapsody,” “We Will Rock You,” “Another One Bites the Dust,” and “Radio Ga Ga,” along with deeper cuts such as “Love of My Life.”

Whether or not the film is a fitting tribute to Mercury will depend on your view. Director Bryan Singer (who was fired from the production yet is still credited) and writer Anthony McCarten take a safe approach to the singer’s personal life, largely settling for allusions to Mercury’s homosexuality, drug use and partying. Much like Mercury did publicly, the movie keeps that away from the audience.

However, Bohemian Rhapsody does a fine job of portraying Freddie Mercury, the rock star. Rami Malek (Mr. Robot) has all of the legendary frontman’s stage moves and swagger down. Mercury commanded the stage, punching, gyrating, and thrusting with the beats from bassist John Deacon and drummer Roger Taylor. The rest of Queen effectively faded into the background because the eye was always drawn to Mercury’s energy and charisma.

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Not a Newsletter 001: Don’t become some background noise

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Here we go again with a “I haven’t written anything for a while” post. But with the calendar turning to November, it seems like a good time to turn up the output here and provide some proof of (writing) life.

(I said the same thing to myself going into October, of course. Probably at the beginning of September too.)

I don’t get to write as much as I used to (though I almost took care of that with a job I was offered — but had to turn down — this past week), so I’d really like to take care of that with the blog and website that I put the effort in to set up. That includes the Amusement Park Podcast, where I intend to put most stuff on genre and geek subjects. I feel like writing holds me accountable somehow.

(Recently, I’ve written movie reviews for A Star is Born, Halloween and The Old Man and the Gun. Bohemian Rhapsody is soon to follow. I want to do a lot more of them now that we’re in movie awards season.)

And I want to do these Not a Newsletter posts regularly. Newsletters are kind of the new blogs these days (actually, podcasts probably are) and if I thought I could assemble a decent subscriber base, I might do one. (Did I sound really old right there?)

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Amusement Park Podcast 012: Batman, Tornadoes and the Pause Button

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Not even tornadoes and power outages can keep the Amusement Park Podcast down! This week, Chris is watching Hallmark Christmas movies, Detective Joe West is sitting down a lot, Ian reviews Bohemian Rhapsody and pause buttons influence young minds.

https://soundcloud.com/casselberry/batman-tornadoes-and-the-pause-button

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If you’re enjoying our podcast, please leave a review on iTunes for some positive digital word-of-mouth. You can also give us feedback at amusementparkpod@gmail.com and tweet us @amuseparkpod. We’d love to hear from you. Thank you for listening!

Amusement Park Podcast 011: Daredevil, Take Our Hearts!

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It’s all TV on this week’s Amusement Park Podcast! We react to Netflix canceling Luke Cage and Iron Fist, then dive into Daredevil Season 3. Are the new fall comedies any good? Eh… October horror picks and what we’re enjoying close us out.

https://soundcloud.com/casselberry/daredevil-take-our-hearts

You can subscribe to the Amusement Park Podcast all over the place:

If you’re enjoying our podcast, please help us out with a review on iTunes for some digital word-of-mouth. You can also email us feedback at amusementparkpod@gmail.com and tweet us @amuseparkpod. We’d love to hear from you. Thank you for listening!

 

Robert Redford’s charm carries ‘The Old Man & The Gun,’ but only so far

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Robert Redford might regret saying that his starring role in The Old Man & the Gun may be his final on-screen performance. But if Redford is indeed going to retire from acting, he chose an excellent role to put a final bow on his acting career.

It’s difficult to imagine anyone else playing Forrest Tucker, a 70-year-old man who can’t give up robbing banks. He just loves it too much and doesn’t want to do anything else. And don’t tell him that he’s too old for this; he’ll just take that as a challenge and try to show you wrong.

Tucker is an absolute charmer, which plays perfectly to Redford’s strengths as an actor. (Even when Redford is playing a deadly serious character, he shows off a wit that can easily pull someone to his side.) The shock of a kind, extremely well-dressed old man suddenly declaring that he’s robbing the bank — usually by showing his holstered revolver — is enough to make tellers and bank managers all too willing to comply.

Policemen and federal agents are amused and flustered by a common statement among all of the people he encounters during his robberies: He was really polite. He was so nice.

It’s almost surprising that Tucker wasn’t given a nickname like “The Gentleman Bandit” (though that would probably be an implicit endorsement of his actions). The media dubs the trio “The Over-the-Hill Gang,” however.) We should probably be thankful that director David Lowery didn’t give this movie such a title either. “The Old Man and the Gun” is taken from the 2003 New Yorker article by David Grann that told Tucker’s improbable story.

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