‘Masters of the Universe’ can’t find the right tone, but creates a lot of nostalgic fun

Middle-aged men who grew up in the 1980s watching the He-Man and the Masters of the Universe cartoon series and playing with the Mattel action figures sure seem like the target audience for the live-action Masters of the Universe movie. So I’ll admit I was an easy mark for this one.

Although I still hold a tight grip on the comic books, movies, books and TV shows I loved as a kid, I’m more resistant to nostalgia as I get older. But fellow Gen Xer Travis Knight (Bumblebee, Kubo and the Two Strings) is obviously a fan of the old animated series and knew what notes to hit to trigger those childhood tingles.

Being a fan is not always a good thing for movies like this. Sometimes, filmmakers try to cram too much into one story, attempting to load everything they love about a property in their endeavor — maybe because they think it’ll be the only chance they get. Or perhaps he or she just can’t take off their fan goggles and assume audiences will enjoy the same things they did, rather than take an objective look at what works and what doesn’t, what needs to be subtracted or added.

Knight — with writers Chris Butler, Aaron Nee, Adam Nee and Dave Callaham —walks that line pretty well, realizing what was silly about the cartoon and toys — notably character names such as “Fisto,” “Ram Man” and “Mekaneck.” The movie actually comes up with a funny, believable conceit to explain some of the sillier, campier elements of the Masters of the Universe mythology.

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‘Black Panther: Wakanda Forever’ successfully pays tribute, moves mythology forward

Director Ryan Coogler had a thin line to walk for his sequel to Black Panther.

Following up 2018’s mega-hit that was unlike any Marvel superhero we’d seen before, reaching out to audiences and cultures that previously felt underserved by blockbuster entertainment, would have been difficult enough. Coogler had an opportunity to direct a sequel to 2015’s Creed, but passed on it to jump into the Marvel sandbox and bring comic books’ first Black superhero to the big screen.

Topping himself and continuing the story of Wakanda’s King T’Challa was going to be much more difficult — logistically and emotionally — after the death of star Chadwick Boseman two years ago. How could Marvel and Coogler, along with the amazing cast and crew that brought the fictional African nation to vivid life, keep the story going without the Black Panther himself?

Out of respect to Boseman, Marvel decided that T’Challa wouldn’t be recast. That was probably the correct decision, especially so soon after the actor’s death. Asking fans — and those who worked with Boseman — to accept a new face in the role would have been difficult. (Though during the past two years, sentiment — online, anyway — has turned toward recasting and advancing a character that was so iconic, so important to audiences.)

So Coogler and writer Joe Robert Cole (who collaborated on the first film’s screenplay) embraced the real world’s intrusion on Marvel mythology and acknowledged Boseman’s death in the story by giving T’Challa much the same traffic fate. As a result, Wakanda Forever serves as a tribute to the actor, allowing fans and colleagues to mourn and perhaps find closure with the loss.

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‘Black Adam’ Carried by Dwayne Johnson Through Shaky Superhero Movie Ride

Dwayne Johnson is a damn good salesman, which you likely knew. Black Adam is a testament to his star power. This movie almost certainly doesn’t get made, nor does the character headline his own film, without Johnson making it happen.

And without Johnson, this movie probably wouldn’t be that compelling — except to comic book diehards thrilled to see secondary DC Comics characters like Hawkman and Doctor Fate brought to life on the big screen. But they’re a big part of the story and look great. So does Johnson and his real-life superhero physique in a role that seems to have been made for him.

Set in the fictional Middle Eastern nation of Kahndaq, Black Adam immediately sets itself apart from other superhero stories taking place in New York, San Francisco, or fictional cities like Metropolis or Gotham City. (Maybe it’s not a coincidence that the best DC films are set in locations including Atlantis and the Amazon island of Themyscira.)

The movie also benefits from director Jaume Collet-Serra (The Commuter, The Shallows) having plenty of experience with action movies that keeps what story there is moving with little time given to exposition and character moments. Black Adam pretty much goes from one action sequence to another with momentary chances to give the audience a breath. But even “quiet” scenes have action like Johnson busting through walls rather than using doors.

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WISE Sports Radio: Panthers get Baker Mayfield, Orioles streaking, 2022 MLB All-Star snubs, Thor: Love and Thunder

After a week off for the July 4 holiday, we’re back on WISE Sports Radio with some NFL and movie talk mixed in with our usual baseball chatter.

The Carolina Panthers get Baker Mayfield after waiting until the Cleveland Browns couldn’t wait to trade him any longer. Are the Baltimore Orioles on the rise? Which players were snubbed from the 2022 Major League Baseball All-Star Game rosters? And a quick review of Thor: Love and Thunder. (Longer version here, if interested.)

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‘Thor: Love and Thunder’ major disappointment, despite fun characters and grand spectacle

“Your ancestors called it magic, but you call it science,” Thor said to Jane Foster in Marvel’s first Thor movie (2011). “I come from a land where they are one and the same.”

Whatever it’s called, the magic is gone. At least for the God of Thunder’s run under director Taika Waititi.

Thor: Love and Thunder has some beautiful visuals, creative set pieces, and compelling character arcs, especially for Natalie Portman’s Foster. But the story trying to hold them all together is too weak to build a satisfying film that ranks among the best in the Marvel Cinematic Universe.

What makes this so disappointing is that Waititi’s previous Thor film, 2017’s Thor: Ragnarok, was such a refreshing change of direction from the other Marvel movies with its fast pace, outlandish color palette, and bold designs influenced by legendary artists like Jack Kirby, Alejandro Jodorowsky, and Moebius. (The new wave soundtrack by Devo’s Mark Mothersbaugh added to the alien atmosphere.)

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