There’s a scene about midway through Hellboy in which a giant sword goes through a monster’s head, virtually splitting it in half, unleashing a reservoir of blood, and showing some of the soft tissue underneath the skull. While taking in that moment, I thought to myself, “I think that’s what watching this movie feels like.”

I was rooting for the 2019 reboot of Hellboy. It was going to be too easy to dismiss this movie and say Guillermo Del Toro and Ron Perlman did it better — twice — without even seeing this new version. But the wave of early reviews seemed to confirm what so many feared when this project was announced. Was there really any point to reviving Hellboy if there wasn’t anything new to offer?

Don’t misunderstand me: I don’t have a problem with remakes and reboots, even if they’re being made too often now. (Saying “Hollywood is out of ideas” is an opinion that’s run out of ideas.) Popular characters and franchises are always going to be mined for new movies and TV shows if a newer angle can be taken. And if new digital effects and moviemaking techniques can tell those stories better than their previous versions, it might just be worth doing.